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The Paul Dresher Ensemble interprets
the ideas and sounds of today’s most innovative and irreverent
composers.
Founded in 1985 by composer and Artistic Director Paul
Dresher, the Ensemble is known for its energy, virtuosity and
incredible attention
to the theatrical dimensions of performance. With the Ensemble,
Dresher has guided the creation of American Trilogy in collaboration
with
writer/performer Rinde Eckert; the John Adams/Peter Sellars/June
Jordan musical theater production I Was Looking at The Ceiling
and I Saw The Sky; and Ravenshead, which was rated “Best
Opera of ’98” by USA Today, among others. The Ensemble
also has a long history of collaborating with several dance companies
including the Margaret Jenkins Dance Company and ODC San Francisco.
The Ensemble regularly tours the US and has performed internationally
throughout Europe and at such venues at Festival Interlink in Japan
and Arts Summit Indonesia '95.
In 1993 Dresher formed Electro-Acoustic
Band out of a desire to
create a chamber group that truly addressed the needs of contemporary
composers.
This ensemble uses the latest advances in music technology to
compliment their outstanding ability to perform music rooted variously
in
the classical tradition, rock and roll, jazz and world music,
bringing to life the ideas and sounds of some of today’s most cutting-edge
composers. Since 1993 the Electro-Acoustic Band has commissioned
and/or premiered works by John Adams, Mark Applebaum, Jay Cloidt,
Bun Ching Lam, and many other well-known artists.
[Paul Dresher
Ensemble website]
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"...Paul Dresher crated a boundless, exuberant
aural landscape..."
Jennifer Dunning, The New York Times
"...
The ensemble’s performance, as ever, was a marvel of rhythmic and harmonic
precision..."
Joshua Kosman, San Francisco Chronicle
"...
an incredible look at a brilliant man’s inability to understand his
limitations... The
wild music of the six-piece Paul Dresher Ensemble... weaves a wily sonic
tapestry..."
Mark De La Vina, San Jose Mercury News
"
Best Opera of ‘98... Librettist Rinde Eckert doubled as the opera’s
only singer, delivering a tour de force to Mackey’s insinuating,
rock-influenced score."
David Patrick Stearns, USA Today |