Client case studies:

Eifman Ballet Of St. Petersburg
Flint Center Broadway Series &
  Dance Attractions
Margaret Jenkins Dance Company
Oakland Ballet
Oakland East Bay Symphony
Paul Dresher Ensemble
Sausalito Art Festival
SF Symphony’s Black + White Ball
Teatro ZinZanni
Union Street Festival

 

 

 

The Paul Dresher Ensemble interprets the ideas and sounds of today’s most innovative and irreverent composers.

Founded in 1985 by composer and Artistic Director Paul Dresher, the Ensemble is known for its energy, virtuosity and incredible attention to the theatrical dimensions of performance. With the Ensemble, Dresher has guided the creation of American Trilogy in collaboration with writer/performer Rinde Eckert; the John Adams/Peter Sellars/June Jordan musical theater production I Was Looking at The Ceiling and I Saw The Sky; and Ravenshead, which was rated “Best Opera of ’98” by USA Today, among others. The Ensemble also has a long history of collaborating with several dance companies including the Margaret Jenkins Dance Company and ODC San Francisco. The Ensemble regularly tours the US and has performed internationally throughout Europe and at such venues at Festival Interlink in Japan and Arts Summit Indonesia '95.

In 1993 Dresher formed Electro-Acoustic Band out of a desire to create a chamber group that truly addressed the needs of contemporary composers. This ensemble uses the latest advances in music technology to compliment their outstanding ability to perform music rooted variously in the classical tradition, rock and roll, jazz and world music, bringing to life the ideas and sounds of some of today’s most cutting-edge composers. Since 1993 the Electro-Acoustic Band has commissioned and/or premiered works by John Adams, Mark Applebaum, Jay Cloidt, Bun Ching Lam, and many other well-known artists.

[Paul Dresher Ensemble website]

 


"...Paul Dresher crated a boundless, exuberant aural landscape..."
Jennifer Dunning, The New York Times

"... The ensemble’s performance, as ever, was a marvel of rhythmic and harmonic precision..."
Joshua Kosman, San Francisco Chronicle

"... an incredible look at a brilliant man’s inability to understand his limitations... The wild music of the six-piece Paul Dresher Ensemble... weaves a wily sonic tapestry..."
Mark De La Vina, San Jose Mercury News

" Best Opera of ‘98... Librettist Rinde Eckert doubled as the opera’s only singer, delivering a tour de force to Mackey’s insinuating, rock-influenced score."
David Patrick Stearns, USA Today